#Space color pencil drawing how to

This, like before, makes use of the color value and simulates the light and shadow of the subject we are putting on paper. Just as we learned with stippling dots, placement of the hatch and cross-hatch lines, both in density and distance apart, creates the positive and negative space of and around the object. Hatching and cross-hatching provide an artist with the ability to create breathtaking works of art even without the use of bold color through understanding the importance of color value. The techniques of hatching and cross-hatching are especially useful when recreating three-dimensional objects by creating the cross-contour lines of the figure. Colored pencils also make it easier to finesse both the textures and widths of the lines drawn.

When using the techniques of hatching and cross-hatching with colored pencils, the amount of pressure you apply to the pencil will affect the color values. This value range is what gives the object a three-dimensional form through the imitation of a source of light. The primary purpose of using hatching and cross-hatching with colored pencils is to produce a complete spectrum of color values. Most artists, however, will use both techniques together. A few artists will use either hatching or cross-hatching to maintain a uniform look. The colored pencil marking techniques of hatching and cross-hatching use lines to recreate an object’s texture and imitate shadow and light. This method uses two or more different colors to replicate the lights and darks of objects in natural light. Often used with paint, this technique imitates blended colors to create an image. Conversely, objects that are farther away require less definition by using more negative space than positive space.Ī color blending technique that uses the stippling method of applying dots of varying quantity and density is known as pointillism. When it comes to simulating distance in a drawing, items that need to appear in the foreground or closer should be highly detailed using lots of shadowing and little light space. In the case of creating texture, the more shadowing you create, the more textured the surface of the object will appear. Texture and Distance – The placement of stippling dots to take advantage of light and shadow also plays a role in creating the look of texture and the illusion of distance. To create areas of light, you use fewer dots spaced out on the page resulting in more negative space and hence a brighter area.

What that means is the more dots you put in a concentrated area, the darker that area will appear.

In other words, it reduces the brightness of that spot on the paper. How much negative space remains on the page plays several roles that affect the look and realism of the drawing.īrightness – When placing the dots upon the crisp white paper, each dot diminishes the color value of the page’s surface. The negative space, therefore, is the space in and around the object you are drawing.

The object you are drawing is represented by the positive space. Stippling involves creating a visual balance of positive and negative space on the paper. This versatile technique gives the artist the ability to imply an object’s shape, imitate its texture, and create light and shadow on the page. Most often used with pen and ink, stippling works best with a fine point so keep your pencil sharpener handy and use colored pencils that have a strong core. If you want to create a movement of dark to light progressively, use fewer dots spread apart at farther distances. To make an area appear dark, use a large number of dots near each other. The first technique uses dots to create areas of light and shadow based on the placement of the dots on the page. Do I need a special table surface to work on to achieve a smooth and even color throughout the drawing? Stippling

#Space color pencil drawing how to

What is the best way to learn how to mimic the natural look of light and shadow? Essential Tools for Working with Colored Pencils.